The film *The Devil Wears Prada* captivated audiences with its whirlwind portrayal of the fashion industry, the ruthless ambition of Miranda Priestly, and the transformative journey of Andy Sachs. While the narrative focuses heavily on Andy's experiences, a significant subplot involving Nigel Kipling, Miranda's impeccably dressed and fiercely loyal right-hand man, often gets overlooked. His storyline, though seemingly minor, hints at a fascinating narrative potential, a kind of unspoken sequel that explores the complexities of ambition, loyalty, and the cutthroat nature of the fashion world. This article delves deeper into Nigel’s story, exploring his ambitions, his relationship with Miranda, and what his arc suggests about the future of the characters and the overall narrative of *The Devil Wears Prada*.
Nigel's Ambitions and the Unspoken Power Play:
IIRC (If I Remember Correctly), Nigel was poised for a significant career advancement. He expected to leave Runway magazine and take the coveted position of Creative Director at Holt Renfrew, a prestigious department store. This ambition, though never explicitly stated as a direct goal by Nigel himself, is heavily implied through his actions and interactions with Miranda. His competence, his impeccable taste, and his unwavering loyalty to Miranda all pointed towards this being a logical next step in his career. This ambition, however, is directly intertwined with Emily Charlton's own aspirations. Emily, Andy's initially antagonistic colleague, also harbored ambitions to climb the corporate ladder at Runway, ultimately hoping to inherit Miranda's position.
The film subtly sets up a competition, a silent battle for power between Nigel and Emily. Both are fiercely competent, impeccably dressed, and possess a deep understanding of the fashion world. However, their approaches differ significantly. Nigel is more strategic and less outwardly ambitious, relying on his skills and loyalty to gain favor. Emily, on the other hand, is more overtly competitive, sometimes resorting to less ethical tactics to achieve her goals. This subtle rivalry adds another layer of complexity to the narrative, elevating it beyond a simple "Andy learns a lesson" story.
The Ending and the Unfulfilled Potential:
The film's ending leaves Nigel's fate somewhat ambiguous. While Andy's transformation and departure are central to the resolution, Nigel’s future remains largely unexplored. We know that Emily did not get Miranda’s job; the film subtly suggests that someone else – likely an external candidate – filled the position. This leaves Nigel's anticipated move to Holt Renfrew hanging in the air. Did he secure the Creative Director position? Did his hopes get dashed due to the internal power dynamics at play within Runway, or did he perhaps choose a different path? The ambiguity is frustrating, yet it also fuels speculation and allows the audience to imagine various scenarios.
This ambiguity is what makes Nigel's story so compelling. It leaves room for a sequel, a story that could explore the consequences of the events in the first film on Nigel’s career. Did he succeed in his ambition despite the unexpected shift in power at Runway? Did he find a different path to success? Or did his loyalty to Miranda, coupled with the unexpected shift in the power structure, leave him feeling sidelined and undervalued? These are all questions that remain unanswered, inviting the audience to actively participate in completing the narrative.
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